One way vision in Sus covers the tall glass fronts of supermarkets, showrooms and bank branches with a printed graphic, and the people inside can still look out through the film. Sus has grown fast, and its newest shop rows were built with big panes of glass. That glass is advertising space waiting to be used.
Printing happens at Chandni Chowk, and the film is fitted on the outside face of the glass. This page walks through the three situations Sus shops raise most: weekly offers, brand-new glass and the shutter that comes down at night.
Supermarket and showroom glass on Sus Road
A supermarket wants shoppers to know the week’s offers before they park, while the cashiers and floor staff still want to see the entrance and the car park. Offers on one way vision do both. The catch is the cycle: offers change every week or fortnight, and reprinting whole panes that often is wasteful.
The practical answer is to split the glass. Print the brand graphic on the large panes once, and give one or two panes beside the entrance to the offers, so only those are reprinted when the week turns. Showrooms can treat a launch the same way: one pane for the new model, the rest left alone.
Newly built shop rows with full-height glass
Full-height glass in a new row is big, clean and not yet protected from anything. Builders leave dust, paint spots or a protective film on the panes, and perforated film does not grip well on top of them. Look at the glass before the film arrives.
- Remove any builder’s protective film, paint spots or cement splashes.
- Measure each pane to the inside of the frame and note the horizontal bars, since a join in the film hides behind one.
- Count the panes taller than a standing person, which need a platform for fitting.
- Agree who fits the film and on which day, so the shop owner is not waiting on the builder’s scaffolding.
Panes this tall are usually taller than the roll is wide, so expect a join or two. Plan them to fall behind a bar or along a natural line in the design.
Sus is open and windy in the monsoon, and rain driven against tall glass clouds the view out until the pane dries; the vinyl itself is unharmed. Panes that face the afternoon sun fade first, so ask about a laminate for those.
Combining one way vision with shutters at closing time
Most Sus shops pull a shutter down at night, and that changes what the film has to do. A shutter outside the glass hides the whole front at closing time, so the weakness of one way vision after dark never shows. The film works through opening hours and the shutter works the night shift.
| When | Shutter | What the street sees |
|---|---|---|
| Opening hours, daylight | Up | The printed graphic, while staff look out |
| Opening hours, shop lit at dusk | Up | The graphic fading and the interior showing |
| Closed | Down | The shutter; the film is out of sight |
Check how the shutter sits against the glass. Guides or a roller box that rub the film’s surface will wear the print, so if the clearance is tight, tell us before printing and we leave a margin at that edge.
A shop that trades into the evening should keep stock and cash counters away from the street glass at dusk. Once the lights are on, passers-by can see in through the film.
How to order one way vision in Sus
Send the pane list for the whole row, not shop by shop, if neighbours are fitting out together. Include the size of every pane, the type of shutter, and a photo from the road. The proof sets the graphic on your own front, and printing starts only after you approve it. The finished film travels up the bypass and in along Sus Road, or is held for pick-up; fitting is arranged for tall panes.
More Sus work, from name boards to door lettering, sits under vinyl printing in Sus, and supermarket glass further along the road is handled alike through vinyl printing in Baner. The material is explained in one way vision printing across Pune. For a price, begin a quote with the whole pane list.